BIOGRAPHY His technique is very original and limited direct influence styles or trends, used, operated photography, sculpture in plaster, wood, and other elements, which merges with the power read His painting concrete Find it is a tireless, depicts everyday situations, figures and magical place. Such is the case of the port of Valparaiso, an image reflected in a privileged space of time shared with the rest of his work, Ascom their social roles equally shares his stay in Santiago and his workshop in Laguna Verde a place that shelters him and comforted by the sea and port. The work has insisted contemporneamente, in terms of function and medial chromatic unprecedented image meets at this time. Indeed, the greater the presence of visuals in the world, becomes essential to resort to those sources that energize the analogous symbolic and associations in the synthesis an complex, differing interpretations throughout history. Particularly in the art, the communication function is performed to record the circumstances, the fate of the days, with inevitable secrecy that you use and requires all artistic expression. To transcend something, you have to go through this thing and go more all in a partial say, however, irrevocable and final. It is in this movement where the resources are articulated plastic Riffo Carlos Salvador. The painting becomes the plastic extension of the information, where the historical archive, the photographic harvesting, flmica sequence, are deployed as plot and formal process, such as framing and figure, under the benchmark short-term news from the world of making extensions and overlaps of volumes, fillings and color, contrasting and integrating this figuracin impersonal, experimental human anatomy and references, which usually are in a AFTER THE scene, apart from articulating why, in a pendulum technician, manual and geometric. It appears that these movements of the image, Carlos Salvador joined TmID, the language did not cover the news; The depth of internal processes, plotted this time by a line contained by the apparent contradiction against the cut, when There superditar continually need to reason iconographic themes. Also, rupture and chromatic attraction, isolated patches of pure color, establishing relations between s, creating an open field of formal possibilities and remembering the bet Fauve, however distancindose preponderance of m minimum resource conception of space, achieved in the exuberance, gradually articulated language, gestures and multiple in the composition. Necessary duality, this time for the meeting of that parallel universe conciliacin career. Reflection of the artist's effort, by the trade balance with the existential challenge will. Visual Artist Tom Araya in December 2003. EXHIBITIONS 1984: Collective Cultural Center of Temuco. 1988: Group exhibition with Eugenio Salas, in room of the Universidad de la Frontera Temuco. 1988: Collective Municipal Cultural Center of Temuco. 2003: Central Hall Naciny Plaza The Journal of the constitution, Santiago: The Tunick step for Chile 2003: Collective, along with Roser Bru, Extension Center, Central University, Santiago: The Art to create cultural expressions inspired by post-war periods. 2003: Group exhibition Looking at Art. Via del Mar Club Hosted by the University of Santo Toms. 2003: Selected in the cultural artistic project, the famous poet. Nicanor Parra national ART (DE) VISUAL FACTO. 2003: Collective with Subercaseux Gracia. Women. U. Extension Central 2004: Laws of Change. Via del Mar Club March 2004: Visual Arts Facto Spain Cultural Center, Santiago. July. 2004: Patient Search. Room Codelco, Santiago. August 2004: Colors in transit Hall Central University, December. 2005: Valparaíso Cultural Carnival Plaza Pinto ANBAL INDIVIDUAL 1987: Exhibition Hall Library Municipal de Temuco 1988: Lonquimay Municipal Public Library. 1989: Villarrica Municipal Public Library. 2004: Cultural Space, CafRiquet, Valparaiso. 2004: Central Hall of the Journal Nacin, Santiago. May. 2004: Northern Centre for Contemporary Art. Fragments of History 2005: Restaurant and Galley Cat Eye, Valparaiso. 2005: Sala Santo Tomas University Via del Mar. 2006 Room Italian stadium, Santiago Porters Colors UST 2006 Room, Via del Mar. permanent Exhibitor: ? Restaurant Le Feliu de Mompelier, Valparaiso ? CafGalera The pergola, Valpara so. ? CAFY Art Galley Caf, Valparaiso. ? Galera Paradise Valparaiso. ? Galera Artium, Santiago. ? Galera Ara, Santiago. ? Galera, Portal La Dehesa, Santiago ? Galera La Ventana Semicual, Santiago. ? The Other Gale, Santiago. ? International Galera, Wenteche, Valparaiso ? Art Portal: Portal www.artch.cl ? Espaol. www.arsb.com ? Virtual Galera: Permanent Exhibitor Salon www.saladeartewenteche.cl ? Ministry of Housing and Urban Santiago. ? His works are in collections both in Chile and abroad (Argentina, Cuba, Russia )